Following the “naturalist” approach of Nature Bores the Monster (2024), an exhibition at Culturgest (Lisbon), Alexandre Estrela presents at CIAJG the second part of a triptych—a kind of interlude that engages with animation and cartoon aesthetics. In INTERVALO, Estrela explores the exhibition itself as a medium, transforming CIAJG’s galleries into a meticulously orchestrated experience. Visitors are led through a spectral and technical choreography, experiencing the gallery as a living, unfolding, and ever-evolving space. The collection of works on view finds its structural foundations—its “skeletons”—in drawing and painting, giving rise to digital apparitions or “ghosts” that echo the primordial rhythms of multicellular life.