Festivais Gil Vicente
Festas da Cidade e Gualterianas
Festivais Gil Vicente
Festas da Cidade e Gualterianas
Festivais Gil Vicente
Festas da Cidade e Gualterianas
A Oficina
Centro Cultural Vila Flor
Centro Internacional das Artes José de Guimarães
1. Casa da Memória de Guimarães
Centro de Criação de Candoso
Teatro Oficina
Educação e Mediação Cultural
Centro Internacional das Artes José de Guimarães
CAAA
A Oficina
Centro Cultural Vila Flor
1. Casa da Memória de Guimarães
Centro de Criação de Candoso
Teatro Oficina
Educação e Mediação Cultural
2. Loja Oficina

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Kananga mask
Dogon, Mali

Wood and pigments

92 x 54 x 18 cm

More than 70 Dogon types of mask are known, both anthropomorphic and zoomorphic, made of wood or vegetable fibres. They are made by the members of the awa society and worn in homage to the dama dead. The kananga mask represents the kommolo tebu bird, and is the most common type of mask. Its origin is traced back to a mythical hunter who, having killed one of these birds, took it as a model to make the first kananga mask. The colour of the top part of the mask - black squares on the white background - evoke the kommolo tebu bird.


The dancing ceremonies with these masks are quite spectacular, not only for their size but also because they are always used in great numbers. For a ritual which is held every five years celebrating the dead, at least 400 masks are needed. In their choreographies, the dancers mimic the gestures made by Amma, god of creation, as he was creating the universe. Today, these have become an important product for the tourist industry.

Hahner-Herzog, Iris (1997), L’Autre Visage – Masques d’Afrique. Tervuren, Musée Royal de l'Afrique Centrale, p. 50.
Arte Africana | Máscara kananga
Arte Africana | Máscara kananga
Máscara kananga
Arte Africana | Máscara kananga
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